On the guitar, the Fm11 chord is the minor 11th chord built from F, G#, C, D#, G, A#. Its first guitar voicing is a barre chord at fret 1: low E string at fret 1 (index finger); A string at fret 1 (index finger); D string at fret 1 (index finger); G string open; B string at fret 1 (index finger); high e string at fret 4 (middle finger). Keep this page open while you practise: it lists the notes, every practical voicing, the mistakes that make it sound wrong and the progressions where it does its best work.
What notes are in the Fm11 chord?
The Fm11 chord is a minor 11th chord, and its notes are fixed: F, G#, C, D#, G, A#. Every voicing on every instrument uses these same notes, in some order and in some octave — change one of them and you are playing a different chord. The table below lists each note with its interval from the root F, so you can see the structure of Fm11 at a glance. On the guitar, the barre chord voicing is the place to hear it in Fm11.
| Note | Interval |
|---|---|
| F | Root |
| G# | b3 |
| C | 5 |
| D# | b7 |
| G | 9 |
| A# | 11 |
The root is F, the note the chord is named after and the note your ear hears as home. Above it, the intervals in Fm11 are b3, 5, b7, 9, 11. Once you know the intervals, you can build Fm11 from any root by counting the same semitone steps, which is how the chord works in every key. On the guitar, the notes appear in the order the fingering dictates, but the set of notes never changes.
Fm11 sounds soft and open, a minor chord with the 9th and 11th adding width without tension. The colour is strongest when all the notes ring clearly. A muted chord tone, especially the 3rd or the 7th where the chord has one, flattens the character of Fm11 noticeably. On the guitar, the barre chord of Fm11 puts those notes under your fingers in the order the fingering lists them.
Comparing Fm11 with its closest relatives helps to fix it in your ear. In short, minor 11th against minor 9th: Fm11 adds the 11th A# to the minor 9th chord. The extra note widens the sound without changing the function. Practise the two chords back to back and listen to the one note that changes — that single note is the difference between the two chords. On the guitar, the barre chord of Fm11 puts those notes under your fingers in the order the fingering lists them.
How to play Fm11 on guitar
On the guitar, Fm11 has 3 voicings in the data below, and each one uses the same notes — F, G#, C, D#, G, A# — in a different place on the neck. There are 3 voicings listed for Fm11 on the guitar; learn the first, then add the others as you need them. Finger numbers below use 1 for the index finger, 2 for the middle finger, 3 for the ring finger and 4 for the little finger, and x means the string is not played.
The barre chord puts Fm11 in open position: low E string at fret 1 (index finger); A string at fret 1 (index finger); D string at fret 1 (index finger); G string open; B string at fret 1 (index finger); high e string at fret 4 (middle finger). It barres across strings 1 to 3 at fret 1 with the index finger. The barre is the hard part: the index finger must press every string from 1 to 3 evenly at fret 1, so roll it slightly onto its bony side and keep it close to the fret wire. If the barre buzzes, move it a fraction closer to the fret and press from the arm, not the thumb alone. Strum or pluck it slowly first and check that every note in Fm11 — F, G#, C, D#, G, A# — sounds, with no buzz and no accidental open string.
The movable voicing puts Fm11 in around fret 3: low E string at fret 3 (index finger); A string at fret 6 (middle finger); D string at fret 6 (middle finger); G string open; B string at fret 6 (ring finger); high e string at fret 6 (ring finger). The stretch is the challenge: the fretted notes span from fret 3 to fret 6, so keep your thumb low behind the neck and let your fingers reach rather than squeezing the neck. Strum or pluck it slowly first and check that every note in Fm11 — F, G#, C, D#, G, A# — sounds, with no buzz and no accidental open string.
The barre chord is the voicing to learn if you want Fm11 in open position: low E string at fret 1 (index finger); A string at fret 1 (index finger); D string at fret 1 (index finger); G string open; B string at fret 4 (middle finger); high e string at fret 4 (middle finger). It barres across strings 1 to 3 at fret 1 with the index finger. The barre is the hard part: the index finger must press every string from 1 to 3 evenly at fret 1, so roll it slightly onto its bony side and keep it close to the fret wire. If the barre buzzes, move it a fraction closer to the fret and press from the arm, not the thumb alone. Strum or pluck it slowly first and check that every note in Fm11 — F, G#, C, D#, G, A# — sounds, with no buzz and no accidental open string.
Choosing between the voicings of Fm11 is a musical decision, not a right-or-wrong one. The open or low-position voicing rings the most and suits strumming, while a barre or movable voicing lets you slide Fm11 up the neck to any key without changing the shape. When you change chords, pick the voicing of Fm11 that sits closest to the chord before it — shorter moves between shapes mean faster, cleaner changes. Practise the change into Fm11 from the chord that comes before it in your song, not the chord on its own, because the move is the skill. On the guitar, start with the first voicing above and listen for the notes F, G#, C, D#, G, A# in Fm11.
A short practice routine for Fm11 on the guitar: play the first voicing four times slowly, checking each note, then change to it from the chord a fourth above F and back, four times, at a slow tempo. Then play the second voicing the same way. If a note buzzes, stop and fix the finger placement rather than playing through the buzz — clean notes at a slow tempo become clean notes at full tempo, while buzzes practised fast become habits. Use the Guitar Chord Finder to see the diagram for Fm11 while you practise, and the Chord Finder to compare it with the same chord on other instruments.
Common mistakes
These are the mistakes that most often make Fm11 sound wrong on the guitar, and each one has a concrete fix. Work through them one at a time rather than trying to fix everything at once.
Crowding the voicing. Six notes need space. Drop the 5th (C) first and spread the rest across octaves. On the guitar, the barre chord voicing is the place to hear it in Fm11.
Losing the 11th. Without A# this is just a minor 9th chord. The 11th is the note that makes it an 11th. On the guitar, the barre chord voicing is the place to hear it in Fm11.
Playing it too fast. Fm11 is a slow chord. At a fast tempo its colour gets lost. On the guitar, the barre chord of Fm11 puts those notes under your fingers in the order the fingering lists them.
Barre collapsing on the high strings. In a barre voicing of Fm11, the high strings are the ones that buzz first, because the index finger presses hardest near the thumb. If the top notes of Fm11 sound dead, roll the barring finger slightly toward the fret and press from the arm, not from squeezing the neck. On the guitar, the barre chord voicing is the place to hear it in Fm11.
Where Fm11 is used
Fm11 is not a diatonic triad in any major or minor key, because it is an extended or altered chord, but its base triad belongs to the key of C# major, the key of D# major, the key of G# major. the ii chord in major keys, in its fullest form. As a dominant-type chord it also points toward A# major, the key a perfect fourth above F, which is the tonic it most often resolves to. That is where Fm11 does its work: not as a home chord, but as a chord that creates movement and then resolves. On the guitar, start with the first voicing above and listen for the notes F, G#, C, D#, G, A# in Fm11.
Because Fm11 is an extended or altered chord, it appears in progressions as a colour or a dominant rather than as a diatonic staple. Try it in place of the plain F triad in a progression you already know, and listen to how the extra notes change the feel — that substitution is the usual way extended chords enter real music. The Chord Progression Builder lets you try Fm11 in a progression in any key and hear how it connects to the chords around it. On the guitar, the barre chord voicing is the place to hear it in Fm11.
The same chord on other instruments is covered in Fm11 on piano, Fm11 on ukulele, Fm11 on bass, and the scales that fit over it are the F major scale and the F minor pentatonic scale. Learning Fm11 on the guitar and then checking it on another instrument is one of the best ways to fix the notes — F, G#, C, D#, G, A# — in your memory, because the notes stay the same while everything else changes.
Practising Fm11
A short worked example makes Fm11 concrete. Play the four-chord progression A# – F – Gm – D# in A# major, the key Fm11 most often resolves toward: A# – F – Gm – D#. Play each chord for one bar at a slow tempo, and listen to how Fm11 sounds in that sequence — whether it feels like home, like a lift, or like a chord on its way somewhere else. Then play the same four chords in a different order, starting on Fm11 itself, and notice how its character changes when it opens the progression instead of sitting inside it. On the guitar, the barre chord of Fm11 puts those notes under your fingers in the order the fingering lists them.
For a second exercise, play Fm11 and then the chord a fourth above F, back and forth, four times each. That move — a chord and the chord a fourth above it — is the most common resolution in Western music, and it is the move Fm11 is built for when it acts as a dominant. Finish by playing Fm11 on its own, slowly, and naming each note out loud as you play it: F, G#, C, D#, G, A#. Naming the notes while you play them is what turns a shape into knowledge you can use in any key. Test yourself with the Practice Chord Quiz and keep time with the Metronome as the tempo rises. On the guitar, the barre chord of Fm11 puts those notes under your fingers in the order the fingering lists them.
Frequently asked questions
What is the easiest voicing of Fm11 on the guitar?
The barre chord is the easiest voicing listed for Fm11 on the guitar: frets 1–1–1–0–1–4, fingers 1–1–1–0–1–2. Learn that shape first, get every note ringing cleanly, and only then move on to the alternative voicings further up the neck.
What notes are in Fm11?
Fm11 contains F, G#, C, D#, G, A#: root, minor 3rd, perfect 5th, flattened 7th, 9th and 11th. In practice the 5th is often omitted to make room for the extensions. On the guitar, the first voicing above shows where that note sits.
Is Fm11 major or minor?
Minor. Its 3rd is G#, and the flattened 7th D# keeps it mellow. The 9th and 11th add width, not brightness. On the guitar, the first voicing above shows where that note sits.
Where is Fm11 used?
Fm11 is a minor tonic in jazz, neo-soul and R&B, and a ii chord in major keys. It suits slow tempos and open voicings. On the guitar, the first voicing above shows where that note sits.
How do you play Fm11 on the guitar?
The first voicing is the barre chord: frets 1–1–1–0–1–4, fingers 1–1–1–0–1–2, on the guitar. That voicing uses the notes F, G#, C, D#, G, A#, and it is the one to learn first. The page above lists more voicings for Fm11, so you can choose the shape nearest the chords around it.