D#sus2 on the ukulele is a suspended 2nd chord made from D#, F, A#. Its first ukulele voicing is a barre chord at fret 1: G string muted; C string at fret 3 (middle finger); E string at fret 1 (index finger); A string at fret 1 (index finger). Below you will find its notes and intervals, every usable voicing on the ukulele, the common mistakes players make with it and the keys and progressions where it belongs.
What notes are in the D#sus2 chord?
The D#sus2 chord is a suspended 2nd chord, and its notes are fixed: D#, F, A#. Every voicing on every instrument uses these same notes, in some order and in some octave — change one of them and you are playing a different chord. The table below lists each note with its interval from the root D#, so you can see the structure of D#sus2 at a glance. On the ukulele, the barre chord voicing is the place to hear it in D#sus2.
| Note | Interval |
|---|---|
| D# | Root |
| F | 2 |
| A# | 5 |
The root is D#, the note the chord is named after and the note your ear hears as home. Above it, the intervals in D#sus2 are 2, 5. That combination is what makes D#sus2 sound the way it does: the intervals decide the colour, and the root decides the pitch. On the ukulele, the notes appear in the order the fingering dictates, but the set of notes never changes.
D#sus2 sounds bright and spacious, the 2nd ({second}) replacing the 3rd so the chord sounds modern and clean. That character comes straight from the intervals above, not from the instrument: the same notes on piano, guitar or ukulele carry the same colour, even though the voicing changes. On the ukulele, start with the first voicing above and listen for the notes D#, F, A# in D#sus2.
Comparing D#sus2 with its closest relatives helps to fix it in your ear. In short, sus2 against sus4: D#sus2 replaces the 3rd with the 2nd F; the sus4 version replaces it with the 4th G#. The sus2 sounds brighter and more open; the sus4 sounds tenser. Hearing the comparison matters more than reading it: play D#sus2, then play the chord it is compared with above, and let your ear find the note that changed. On the ukulele, the barre chord voicing is the place to hear it in D#sus2.
How to play D#sus2 on ukulele
On the ukulele, D#sus2 has 3 voicings in the data below, and each one uses the same notes — D#, F, A# — in a different place on the neck. The first voicing below is the one to learn first, and the alternatives cover the rest of the neck. Finger numbers below use 1 for the index finger, 2 for the middle finger, 3 for the ring finger and 4 for the little finger, and x means the string is not played.
The barre chord puts D#sus2 in open position: G string muted; C string at fret 3 (middle finger); E string at fret 1 (index finger); A string at fret 1 (index finger). It barres across strings 3 to 4 at fret 1 with the index finger. The barre is the hard part: the index finger must press every string from 3 to 4 evenly at fret 1, so roll it slightly onto its bony side and keep it close to the fret wire. If the barre buzzes, move it a fraction closer to the fret and press from the arm, not the thumb alone. Strum or pluck it slowly first and check that every note in D#sus2 — D#, F, A# — sounds, with no buzz and no accidental open string.
The movable voicing is the voicing to learn if you want D#sus2 in around fret 5: G string at fret 8 (ring finger); C string at fret 5 (index finger); E string at fret 6 (middle finger); A string at fret 6 (middle finger). The stretch is the challenge: the fretted notes span from fret 5 to fret 8, so keep your thumb low behind the neck and let your fingers reach rather than squeezing the neck. Strum or pluck it slowly first and check that every note in D#sus2 — D#, F, A# — sounds, with no buzz and no accidental open string.
The barre chord puts D#sus2 in open position: G string at fret 3 (middle finger); C string at fret 3 (middle finger); E string at fret 1 (index finger); A string at fret 1 (index finger). It barres across strings 3 to 4 at fret 1 with the index finger. The barre is the hard part: the index finger must press every string from 3 to 4 evenly at fret 1, so roll it slightly onto its bony side and keep it close to the fret wire. If the barre buzzes, move it a fraction closer to the fret and press from the arm, not the thumb alone. Strum or pluck it slowly first and check that every note in D#sus2 — D#, F, A# — sounds, with no buzz and no accidental open string.
Choosing between the voicings of D#sus2 is a musical decision, not a right-or-wrong one. The open or low-position voicing rings the most and suits strumming, while a barre or movable voicing lets you slide D#sus2 up the neck to any key without changing the shape. When you change chords, pick the voicing of D#sus2 that sits closest to the chord before it — shorter moves between shapes mean faster, cleaner changes. Practise the change into D#sus2 from the chord that comes before it in your song, not the chord on its own, because the move is the skill. On the ukulele, the barre chord voicing is the place to hear it in D#sus2.
A short practice routine for D#sus2 on the ukulele: play the first voicing four times slowly, checking each note, then change to it from the chord a fourth above D# and back, four times, at a slow tempo. Then play the second voicing the same way. If a note buzzes, stop and fix the finger placement rather than playing through the buzz — clean notes at a slow tempo become clean notes at full tempo, while buzzes practised fast become habits. Use the Ukulele Chord Finder to see the diagram for D#sus2 while you practise, and the Chord Finder to compare it with the same chord on other instruments.
Common mistakes
These are the mistakes that most often make D#sus2 sound wrong on the ukulele, and each one has a concrete fix. Work through them one at a time rather than trying to fix everything at once.
Pressing too hard on the nylon strings. Ukulele strings need far less pressure than guitar strings, and pressing hard on D#sus2 pulls the notes sharp and tires the hand. Use the lightest touch that gives a clean note, and keep your fingers close to the frets. On the ukulele, start with the first voicing above and listen for the notes D#, F, A# in D#sus2.
Treating it as a major chord. D#sus2 has no 3rd, so it is neither major nor minor. If you add G you have changed the chord entirely. On the ukulele, the barre chord of D#sus2 puts those notes under your fingers in the order the fingering lists them.
Never resolving it. A sus2 that never moves can sound unfinished. Try resolving it to the major triad and listen to the 2nd settle into the 3rd. On the ukulele, start with the first voicing above and listen for the notes D#, F, A# in D#sus2.
Muting the 2nd. The 2nd F is the whole point of this chord. If the string or key carrying it is muted, the chord is just root and 5th — a power chord. On the ukulele, start with the first voicing above and listen for the notes D#, F, A# in D#sus2.
Where D#sus2 is used
D#sus2 is not a diatonic triad in any major or minor key, because it is an extended or altered chord, but its base triad belongs to the key of D# major, the key of G# major, the key of A# major. a colour chord that can stand in for major or minor, since it contains neither 3rd. As a dominant-type chord it also points toward G# major, the key a perfect fourth above D#, which is the tonic it most often resolves to. That is where D#sus2 does its work: not as a home chord, but as a chord that creates movement and then resolves. On the ukulele, the barre chord voicing is the place to hear it in D#sus2.
Because D#sus2 is an extended or altered chord, it appears in progressions as a colour or a dominant rather than as a diatonic staple. Try it in place of the plain D# triad in a progression you already know, and listen to how the extra notes change the feel — that substitution is the usual way extended chords enter real music. The Chord Progression Builder lets you try D#sus2 in a progression in any key and hear how it connects to the chords around it. On the ukulele, the barre chord voicing is the place to hear it in D#sus2.
The same chord on other instruments is covered in D#sus2 on guitar, D#sus2 on piano, D#sus2 on bass, and the scales that fit over it are the D# major scale and the D# minor pentatonic scale. Learning D#sus2 on the ukulele and then checking it on another instrument is one of the best ways to fix the notes — D#, F, A# — in your memory, because the notes stay the same while everything else changes.
Practising D#sus2
A short worked example makes D#sus2 concrete. Play the four-chord progression G# – D# – Fm – C# in G# major, the key D#sus2 most often resolves toward: G# – D# – Fm – C#. Play each chord for one bar at a slow tempo, and listen to how D#sus2 sounds in that sequence — whether it feels like home, like a lift, or like a chord on its way somewhere else. Then play the same four chords in a different order, starting on D#sus2 itself, and notice how its character changes when it opens the progression instead of sitting inside it. On the ukulele, the barre chord voicing is the place to hear it in D#sus2.
For a second exercise, play D#sus2 and then the chord a fourth above D#, back and forth, four times each. That move — a chord and the chord a fourth above it — is the most common resolution in Western music, and it is the move D#sus2 is built for when it acts as a dominant. Finish by playing D#sus2 on its own, slowly, and naming each note out loud as you play it: D#, F, A#. Naming the notes while you play them is what turns a shape into knowledge you can use in any key. Test yourself with the Practice Chord Quiz and keep time with the Metronome as the tempo rises. On the ukulele, the barre chord voicing is the place to hear it in D#sus2.
Frequently asked questions
What is the easiest voicing of D#sus2 on the ukulele?
The barre chord is the easiest voicing listed for D#sus2 on the ukulele: frets x–3–1–1, fingers 0–2–1–1. Learn that shape first, get every note ringing cleanly, and only then move on to the alternative voicings further up the neck.
Is D#sus2 major or minor?
Neither. D#sus2 has no 3rd at all — the 2nd F takes its place. That is why it sounds open and unresolved, and why it can replace either a major or a minor chord. On the ukulele, the voicings above put that note under your fingers.
What does sus2 mean in D#sus2?
Sus2 means the 3rd of the chord is suspended — replaced by the 2nd, F. The chord contains D#, F, A#, so the 2nd is the note that defines its sound. On the ukulele, the voicings above put that note under your fingers.
How do you resolve D#sus2?
The usual resolution is down to the major triad: F moves to G, the major 3rd. That small step from the 2nd to the 3rd is the classic sus2 resolution. On the ukulele, the voicings above put that note under your fingers.
How do you play D#sus2 on the ukulele?
The first voicing is the barre chord: frets x–3–1–1, fingers 0–2–1–1, on the ukulele. That voicing uses the notes D#, F, A#, and it is the one to learn first. The page above lists more voicings for D#sus2, so you can choose the shape nearest the chords around it.