F#m7 on the ukulele is a minor 7th chord made from F#, A, C#, E. Its first ukulele voicing is a barre chord at fret 2: G string at fret 2 (index finger); C string at fret 4 (middle finger); E string at fret 2 (index finger); A string open. Below you will find its notes and intervals, every usable voicing on the ukulele, the common mistakes players make with it and the keys and progressions where it belongs.
What notes are in the F#m7 chord?
The F#m7 chord is a minor 7th chord, and its notes are fixed: F#, A, C#, E. Every voicing on every instrument uses these same notes, in some order and in some octave — change one of them and you are playing a different chord. The table below lists each note with its interval from the root F#, so you can see the structure of F#m7 at a glance. On the ukulele, the barre chord voicing is the place to hear it in F#m7.
| Note | Interval |
|---|---|
| F# | Root |
| A | b3 |
| C# | 5 |
| E | b7 |
The root is F#, the note the chord is named after and the note your ear hears as home. Above it, the intervals in F#m7 are b3, 5, b7. Those intervals are the fingerprint of the minor 7th quality — any chord with the same interval pattern, on any root, is the same kind of chord. On the ukulele, the notes appear in the order the fingering dictates, but the set of notes never changes.
F#m7 sounds warm and jazzy without being tense, the chord that makes ii–V–I progressions flow. The colour is strongest when all the notes ring clearly. A muted chord tone, especially the 3rd or the 7th where the chord has one, flattens the character of F#m7 noticeably. On the ukulele, start with the first voicing above and listen for the notes F#, A, C#, E in F#m7.
Comparing F#m7 with its closest relatives helps to fix it in your ear. In short, minor 7th against dominant 7th: both have the flattened 7th E, but F#m7 has the minor 3rd A while the dominant 7th has the major 3rd A#. Practise the two chords back to back and listen to the one note that changes — that single note is the difference between the two chords. On the ukulele, start with the first voicing above and listen for the notes F#, A, C#, E in F#m7.
How to play F#m7 on ukulele
On the ukulele, F#m7 has 3 voicings in the data below, and each one uses the same notes — F#, A, C#, E — in a different place on the neck. The first voicing below is the one to learn first, and the alternatives cover the rest of the neck. Finger numbers below use 1 for the index finger, 2 for the middle finger, 3 for the ring finger and 4 for the little finger, and x means the string is not played.
The barre chord is the voicing to learn if you want F#m7 in around fret 2: G string at fret 2 (index finger); C string at fret 4 (middle finger); E string at fret 2 (index finger); A string open. It barres across strings 1 to 3 at fret 2 with the index finger. The barre is the hard part: the index finger must press every string from 1 to 3 evenly at fret 2, so roll it slightly onto its bony side and keep it close to the fret wire. If the barre buzzes, move it a fraction closer to the fret and press from the arm, not the thumb alone. Strum or pluck it slowly first and check that every note in F#m7 — F#, A, C#, E — sounds, with no buzz and no accidental open string.
Another way to play F#m7 is the barre chord, in around fret 2: G string at fret 2 (index finger); C string at fret 4 (middle finger); E string at fret 2 (index finger); A string at fret 4 (ring finger). It barres across strings 1 to 3 at fret 2 with the index finger. The barre is the hard part: the index finger must press every string from 1 to 3 evenly at fret 2, so roll it slightly onto its bony side and keep it close to the fret wire. If the barre buzzes, move it a fraction closer to the fret and press from the arm, not the thumb alone. Strum or pluck it slowly first and check that every note in F#m7 — F#, A, C#, E — sounds, with no buzz and no accidental open string.
For the movable voicing, F#m7 sits in around fret 2: G string muted; C string at fret 4 (middle finger); E string at fret 2 (index finger); A string open. The challenge here is the muted string: 1 string is marked x, and it needs to stay silent. Let the edge of a fretting finger rest lightly on it — muting by touch, not by pressing. Strum or pluck it slowly first and check that every note in F#m7 — F#, A, C#, E — sounds, with no buzz and no accidental open string.
Choosing between the voicings of F#m7 is a musical decision, not a right-or-wrong one. The open or low-position voicing rings the most and suits strumming, while a barre or movable voicing lets you slide F#m7 up the neck to any key without changing the shape. When you change chords, pick the voicing of F#m7 that sits closest to the chord before it — shorter moves between shapes mean faster, cleaner changes. Practise the change into F#m7 from the chord that comes before it in your song, not the chord on its own, because the move is the skill. On the ukulele, start with the first voicing above and listen for the notes F#, A, C#, E in F#m7.
A short practice routine for F#m7 on the ukulele: play the first voicing four times slowly, checking each note, then change to it from the chord a fourth above F# and back, four times, at a slow tempo. Then play the second voicing the same way. If a note buzzes, stop and fix the finger placement rather than playing through the buzz — clean notes at a slow tempo become clean notes at full tempo, while buzzes practised fast become habits. Use the Ukulele Chord Finder to see the diagram for F#m7 while you practise, and the Chord Finder to compare it with the same chord on other instruments.
Common mistakes
These are the mistakes that most often make F#m7 sound wrong on the ukulele, and each one has a concrete fix. Work through them one at a time rather than trying to fix everything at once.
Pressing too hard on the nylon strings. Ukulele strings need far less pressure than guitar strings, and pressing hard on F#m7 pulls the notes sharp and tires the hand. Use the lightest touch that gives a clean note, and keep your fingers close to the frets. On the ukulele, start with the first voicing above and listen for the notes F#, A, C#, E in F#m7.
Playing the major 3rd. If the 3rd is A# instead of A, the chord becomes a dominant 7th. Keep the 3rd minor — it is what makes this chord mellow rather than bluesy. On the ukulele, the barre chord of F#m7 puts those notes under your fingers in the order the fingering lists them.
Raising the 7th. The 7th here is E, flattened. Playing F instead gives a minor-major 7th, a much tenser sound. On the ukulele, the barre chord voicing is the place to hear it in F#m7.
Losing the 7th in a thick voicing. E is easy to bury under the root and 5th. Voice the chord so the 7th rings, or the chord collapses into a plain minor triad. On the ukulele, start with the first voicing above and listen for the notes F#, A, C#, E in F#m7.
Where F#m7 is used
F#m7 is not a diatonic triad in any major or minor key, because it is an extended or altered chord, but its base triad belongs to the key of D major, the key of E major, the key of A major. the ii in ii–V–I, the most common progression in jazz. As a dominant-type chord it also points toward B major, the key a perfect fourth above F#, which is the tonic it most often resolves to. That is where F#m7 does its work: not as a home chord, but as a chord that creates movement and then resolves. On the ukulele, start with the first voicing above and listen for the notes F#, A, C#, E in F#m7.
Because F#m7 is an extended or altered chord, it appears in progressions as a colour or a dominant rather than as a diatonic staple. Try it in place of the plain F# triad in a progression you already know, and listen to how the extra notes change the feel — that substitution is the usual way extended chords enter real music. The Chord Progression Builder lets you try F#m7 in a progression in any key and hear how it connects to the chords around it. On the ukulele, start with the first voicing above and listen for the notes F#, A, C#, E in F#m7.
The same chord on other instruments is covered in F#m7 on guitar, F#m7 on piano, F#m7 on bass, and the scales that fit over it are the F# major scale and the F# minor pentatonic scale. Learning F#m7 on the ukulele and then checking it on another instrument is one of the best ways to fix the notes — F#, A, C#, E — in your memory, because the notes stay the same while everything else changes.
Practising F#m7
A short worked example makes F#m7 concrete. Play the four-chord progression B – F# – G#m – E in B major, the key F#m7 most often resolves toward: B – F# – G#m – E. Play each chord for one bar at a slow tempo, and listen to how F#m7 sounds in that sequence — whether it feels like home, like a lift, or like a chord on its way somewhere else. Then play the same four chords in a different order, starting on F#m7 itself, and notice how its character changes when it opens the progression instead of sitting inside it. On the ukulele, start with the first voicing above and listen for the notes F#, A, C#, E in F#m7.
For a second exercise, play F#m7 and then the chord a fourth above F#, back and forth, four times each. That move — a chord and the chord a fourth above it — is the most common resolution in Western music, and it is the move F#m7 is built for when it acts as a dominant. Finish by playing F#m7 on its own, slowly, and naming each note out loud as you play it: F#, A, C#, E. Naming the notes while you play them is what turns a shape into knowledge you can use in any key. Test yourself with the Practice Chord Quiz and keep time with the Metronome as the tempo rises. On the ukulele, start with the first voicing above and listen for the notes F#, A, C#, E in F#m7.
Frequently asked questions
What is the easiest voicing of F#m7 on the ukulele?
The barre chord is the easiest voicing listed for F#m7 on the ukulele: frets 2–4–2–0, fingers 1–2–1–0. Learn that shape first, get every note ringing cleanly, and only then move on to the alternative voicings further up the neck.
Is F#m7 major or minor?
F#m7 is a minor 7th chord: a minor triad (F#, A, C#) plus the flattened 7th E. It sounds mellow and jazzy, and it is the ii chord in major keys. On the ukulele, the first voicing above shows where that note sits.
What is the difference between F#m7 and F#m?
F#m7 adds the flattened 7th E to the F#m triad. That extra note softens the chord and makes it flow more easily into the next chord, especially in ii–V–I progressions. On the ukulele, the first voicing above shows where that note sits.
Which progression uses F#m7 most?
ii–V–I. In that progression F#m7 is the ii chord, and it sets up the dominant chord that resolves to the tonic. It is the single most practised progression in jazz. On the ukulele, the first voicing above shows where that note sits.
How do you play F#m7 on the ukulele?
The first voicing is the barre chord: frets 2–4–2–0, fingers 1–2–1–0, on the ukulele. That voicing uses the notes F#, A, C#, E, and it is the one to learn first. The page above lists more voicings for F#m7, so you can choose the shape nearest the chords around it.