The G#aug guitar chord is built from the notes G#, C, E. Its first guitar voicing is a barre chord at fret 1: low E string at fret 4 (little finger); A string at fret 3 (ring finger); D string at fret 2 (middle finger); G string at fret 1 (index finger); B string at fret 1 (index finger); high e string open. It is a augmented chord, and this page gives you its exact notes, the fingerings that work on the guitar, the mistakes to avoid and the progressions it appears in.
What notes are in the G#aug chord?
The G#aug chord is a augmented chord, and its notes are fixed: G#, C, E. Every voicing on every instrument uses these same notes, in some order and in some octave — change one of them and you are playing a different chord. The table below lists each note with its interval from the root G#, so you can see the structure of G#aug at a glance. On the guitar, start with the first voicing above and listen for the notes G#, C, E in G#aug.
| Note | Interval |
|---|---|
| G# | Root |
| C | 3 |
| E | #5 |
The root is G#, the note the chord is named after and the note your ear hears as home. Above it, the intervals in G#aug are 3, #5. Those intervals are the fingerprint of the augmented quality — any chord with the same interval pattern, on any root, is the same kind of chord. On the guitar, the notes appear in the order the fingering dictates, but the set of notes never changes.
G#aug sounds exotic and tense, the sound of a chord that can resolve in several directions at once. That character comes straight from the intervals above, not from the instrument: the same notes on piano, guitar or ukulele carry the same colour, even though the voicing changes. On the guitar, the barre chord of G#aug puts those notes under your fingers in the order the fingering lists them.
Comparing G#aug with its closest relatives helps to fix it in your ear. In short, augmented against major: both have the major 3rd C, but G#aug raises the 5th to E instead of the perfect 5th D#, and that one change removes the chord's sense of home. Hearing the comparison matters more than reading it: play G#aug, then play the chord it is compared with above, and let your ear find the note that changed. On the guitar, the barre chord voicing is the place to hear it in G#aug.
How to play G#aug on guitar
On the guitar, G#aug has 3 voicings in the data below, and each one uses the same notes — G#, C, E — in a different place on the neck. Start with the first voicing and get it clean before you try the movable shapes further up the neck. Finger numbers below use 1 for the index finger, 2 for the middle finger, 3 for the ring finger and 4 for the little finger, and x means the string is not played.
The barre chord is the voicing to learn if you want G#aug in open position: low E string at fret 4 (little finger); A string at fret 3 (ring finger); D string at fret 2 (middle finger); G string at fret 1 (index finger); B string at fret 1 (index finger); high e string open. It barres across strings 4 to 5 at fret 1 with the index finger. The barre is the hard part: the index finger must press every string from 4 to 5 evenly at fret 1, so roll it slightly onto its bony side and keep it close to the fret wire. If the barre buzzes, move it a fraction closer to the fret and press from the arm, not the thumb alone. Strum or pluck it slowly first and check that every note in G#aug — G#, C, E — sounds, with no buzz and no accidental open string.
Another way to play G#aug is the movable voicing, in around fret 2: low E string at fret 4 (ring finger); A string at fret 3 (middle finger); D string at fret 2 (index finger); G string at fret 5 (little finger); B string at fret 5 (little finger); high e string open. The stretch is the challenge: the fretted notes span from fret 2 to fret 5, so keep your thumb low behind the neck and let your fingers reach rather than squeezing the neck. Strum or pluck it slowly first and check that every note in G#aug — G#, C, E — sounds, with no buzz and no accidental open string.
The barre chord is the voicing to learn if you want G#aug in open position: low E string at fret 4 (little finger); A string at fret 3 (ring finger); D string at fret 2 (middle finger); G string at fret 1 (index finger); B string at fret 1 (index finger); high e string at fret 4 (little finger). It barres across strings 4 to 5 at fret 1 with the index finger. The barre is the hard part: the index finger must press every string from 4 to 5 evenly at fret 1, so roll it slightly onto its bony side and keep it close to the fret wire. If the barre buzzes, move it a fraction closer to the fret and press from the arm, not the thumb alone. Strum or pluck it slowly first and check that every note in G#aug — G#, C, E — sounds, with no buzz and no accidental open string.
Choosing between the voicings of G#aug is a musical decision, not a right-or-wrong one. The open or low-position voicing rings the most and suits strumming, while a barre or movable voicing lets you slide G#aug up the neck to any key without changing the shape. When you change chords, pick the voicing of G#aug that sits closest to the chord before it — shorter moves between shapes mean faster, cleaner changes. Practise the change into G#aug from the chord that comes before it in your song, not the chord on its own, because the move is the skill. On the guitar, the barre chord voicing is the place to hear it in G#aug.
A short practice routine for G#aug on the guitar: play the first voicing four times slowly, checking each note, then change to it from the chord a fourth above G# and back, four times, at a slow tempo. Then play the second voicing the same way. If a note buzzes, stop and fix the finger placement rather than playing through the buzz — clean notes at a slow tempo become clean notes at full tempo, while buzzes practised fast become habits. Use the Guitar Chord Finder to see the diagram for G#aug while you practise, and the Chord Finder to compare it with the same chord on other instruments.
Common mistakes
These are the mistakes that most often make G#aug sound wrong on the guitar, and each one has a concrete fix. Work through them one at a time rather than trying to fix everything at once.
Resolving it nowhere. Because it is symmetrical, G#aug can resolve in several directions, but it must resolve somewhere. Pick a destination chord and practise the move. On the guitar, start with the first voicing above and listen for the notes G#, C, E in G#aug.
Confusing it with a whole-tone sound. The augmented triad is part of the whole-tone scale, but on its own it is just three notes: G#, C, E. Do not add extra whole-tone notes unless you mean to. On the guitar, the barre chord voicing is the place to hear it in G#aug.
Barre collapsing on the high strings. In a barre voicing of G#aug, the high strings are the ones that buzz first, because the index finger presses hardest near the thumb. If the top notes of G#aug sound dead, roll the barring finger slightly toward the fret and press from the arm, not from squeezing the neck. On the guitar, the barre chord voicing is the place to hear it in G#aug.
Playing a perfect 5th. If the 5th is D# the chord is just major. The sharpened 5th E is the whole point of the augmented chord. On the guitar, start with the first voicing above and listen for the notes G#, C, E in G#aug.
Where G#aug is used
G#aug is not a diatonic triad in any major or minor key, because it is an extended or altered chord, but its base triad belongs to the key of C# major, the key of D# major, the key of G# major. a dominant colour in jazz, where the sharpened 5th adds tension to a V chord. As a dominant-type chord it also points toward C# major, the key a perfect fourth above G#, which is the tonic it most often resolves to. That is where G#aug does its work: not as a home chord, but as a chord that creates movement and then resolves. On the guitar, start with the first voicing above and listen for the notes G#, C, E in G#aug.
Because G#aug is an extended or altered chord, it appears in progressions as a colour or a dominant rather than as a diatonic staple. Try it in place of the plain G# triad in a progression you already know, and listen to how the extra notes change the feel — that substitution is the usual way extended chords enter real music. The Chord Progression Builder lets you try G#aug in a progression in any key and hear how it connects to the chords around it. On the guitar, the barre chord voicing is the place to hear it in G#aug.
The same chord on other instruments is covered in G#aug on piano, G#aug on ukulele, G#aug on bass, and the scales that fit over it are the G# major scale and the G# minor pentatonic scale. Learning G#aug on the guitar and then checking it on another instrument is one of the best ways to fix the notes — G#, C, E — in your memory, because the notes stay the same while everything else changes.
Practising G#aug
A short worked example makes G#aug concrete. Play the four-chord progression C# – G# – A#m – F# in C# major, the key G#aug most often resolves toward: C# – G# – A#m – F#. Play each chord for one bar at a slow tempo, and listen to how G#aug sounds in that sequence — whether it feels like home, like a lift, or like a chord on its way somewhere else. Then play the same four chords in a different order, starting on G#aug itself, and notice how its character changes when it opens the progression instead of sitting inside it. On the guitar, start with the first voicing above and listen for the notes G#, C, E in G#aug.
For a second exercise, play G#aug and then the chord a fourth above G#, back and forth, four times each. That move — a chord and the chord a fourth above it — is the most common resolution in Western music, and it is the move G#aug is built for when it acts as a dominant. Finish by playing G#aug on its own, slowly, and naming each note out loud as you play it: G#, C, E. Naming the notes while you play them is what turns a shape into knowledge you can use in any key. Test yourself with the Practice Chord Quiz and keep time with the Metronome as the tempo rises. On the guitar, start with the first voicing above and listen for the notes G#, C, E in G#aug.
Frequently asked questions
How do you play G#aug on the guitar?
The first voicing is the barre chord: frets 4–3–2–1–1–0, fingers 4–3–2–1–1–0, on the guitar. That voicing uses the notes G#, C, E, and it is the one to learn first. The page above lists more voicings for G#aug, so you can choose the shape nearest the chords around it.
Is G#aug hard to play on the guitar?
It depends on the voicing. The first voicing of G#aug on the guitar is the easiest starting point, and the movable voicings further up the neck are harder because they need a barre or a wider stretch. Practise the first voicing cleanly at a slow tempo before you try the others, and the harder shapes will come more easily.
What is the easiest voicing of G#aug on the guitar?
The barre chord is the easiest voicing listed for G#aug on the guitar: frets 4–3–2–1–1–0, fingers 4–3–2–1–1–0. Learn that shape first, get every note ringing cleanly, and only then move on to the alternative voicings further up the neck.
Why does G#aug sound strange?
Its 5th is sharpened to E, so the chord is two major 3rds stacked and divides the octave into three equal parts. With no perfect 5th to anchor it, the chord sounds like it floats. On the guitar, the first voicing above shows where that note sits.
What notes are in G#aug?
G#aug contains G#, C, E: the root G#, the major 3rd C and the augmented 5th E. The raised 5th is the note that makes it augmented. On the guitar, the first voicing above shows where that note sits.